I’m about to launch into draft #3 of my novel in progress. There’s a silence, an absence, an unknown, at the very heart of it, and dealing with that unknown is my biggest and scariest challenge. This essay, from Brevity‘s Nonfiction Blog, deals with omission in nonfiction, but it got me thinking about how to do what I’m trying to do. P.S. Whether you’re writing fiction or nonfiction, the question can be a handy way to introduce a possibility when you or one of your characters doesn’t know what’s going on.
Two recently released creative nonfiction anthologies, Creating Nonfiction: Twenty Essays and Interviews with the Writers (Excelsior Editions, 2016) and I’ll Tell You Mine: Thirty Years of Essays from the Iowa Nonfiction Writing Program (University of Chicago Press, 2015) offer a stunning array of contemporary creative nonfiction writing, and coincidentally both offer candid interviews with the writers about inspirations, challenges faced, and decisions to fully realize these works. Such frank conversations can lead to teachable moments in the classroom. In this two-part blog post, Jeanette Luise Eberhardy and Debbie Hagan not only examine these anthologies, but also lessons to be learned.
Part One By Jeanette Luise Eberhardy
When I teach creative nonfiction writing to art students, they are most interested in two skills: omission and perhapsing. The skill of omission, examined by John McPhee in an essay in the New Yorker (2015), asks the writer to carefully consider what details…
View original post 1,238 more words