“Berryman” by W. S. Merwin

So much insight here, and so many great lines (“. . . but he was deep / in tides of his own through which he sailed / chin sideways and head tilted like a tacking sloop”), but these are the ones that grabbed me hardest: “I asked how can you ever be sure / that what you write is really / any good at all and he said you can’t . . .”

hecatedemeter

2016-black-woman-writing-and-journal
Berryman
I will tell you what he told me
in the years just after the war
as we then called
the second world war
don’t lose your arrogance yet he said
you can do that when you’re older
lose it too soon and you may
merely replace it with vanity
just one time he suggested
changing the usual order
of the same words in a line of verse
why point out a thing twice
he suggested I pray to the Muse
get down on my knees and pray
right there in the corner and he
said he meant it literally
it was in the days before the beard
and the drink but he was deep
in tides of his own through which he sailed
chin sideways and head tilted like a tacking sloop
he was far older than the dates allowed for
much older than I…

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Going Public

Recently I critiqued two book-length manuscripts, both novels and both promising. Before the authors contacted me, no one else had read either manuscript all the way through.

I say this not because it’s unusual but because it isn’t. Writing may be a solitary activity, but publishing is not. To publish is, by definition, to make public. (I’m not kidding about this. Look it up.) To many aspiring writers it seems easier to imagine putting their work before hundreds or thousands of strangers than to share it with people they may know personally. Is it surprising that so many writers labor for years on a book-length manuscript and then choke when it comes time to start seeking a publisher?

Puppy Travvy (right) meets Chamois, a mature yellow Lab, spring 2008.

Puppy Travvy (right) meets Chamois, a mature yellow Lab, spring 2008.

Making our work public does not come easily to most of us. It does takes practice. Think of your work in progress as a puppy. Puppies do better when they get to meet other puppies, adult dogs, and people of various sizes. At the same time, their owners learn more about the pup’s personality and maybe what the pup could use in the way of socialization and training.

No, you don’t need to let your work in progress out of the house before it and you are ready, but do get used to putting your words out in public and (if you’re lucky) getting responses from readers. There are lots of ways to do this. Blog. Contribute to the blogs of others. Review the books you read on GoodReads. Write press releases for the organizations you’re active in or occasional stories for the local paper. Join or start a writers’ group. Etc.

I’ve been taking Wolfie, my novel in progress, to my writers’ group scene by scene since early on. This has been good practice for me because I’m perfectionist enough to be uncomfortable letting anything out of my sight before it’s done. Once I was well into draft 3, I decided chapter 1 was ready to go out before a public that hadn’t heard any of it before.

Fortunately the ideal venue for such forays exists at my town’s library. Writers Read, as it’s called, meets roughly once a month. Unlike the usual writers’ group, regular attendance is not expected, but it’s developed a core of regulars that offer stability while others drop in from time to time. Six or seven writers read at each gathering. To avoid listener fatigue, the time limit of nine minutes is firmly enforced by the moderator. This presents a challenge for writers of longer works, but even novels and memoirs generally include scenes that can stand on their own without too much explanation (which is included in the nine minutes).

Personal responses from listeners are encouraged, but this is not a critique group. “I was confused by this bit” is OK; “this is confusing” is not. The moderator enforces this too. It often happens that one listener loves what another listener is confused by. This might be the most valuable lesson any writer can learn from taking her work out in public: different readers may have wildly different reactions to the same passage, which means it’s up to the writer to decide what to do about it.

Most of the participants in Writers Read are writers, but non-writers and future writers are more than welcome. I suspect that venues like Writers Read help novice writers get their courage up, first to write and then to share their work.

If nothing like this exists in your area, try starting something yourself. All you need is a space, a bunch of writers interested in sharing their work, and a few ground rules to keep the gatherings friendly and fruitful.

Writers Read, November 2016, West Tisbury (Mass.) Free Public Library

Writers Read, November 2016, West Tisbury (Mass.) Free Public Library