Why (Y?) doesn’t “you” begin with U? Why isn’t it spelled “U”? U and I — how symmetrical, how perfect. Twitterspeak finally got it right.
You is the second person. I’m talking to you. You’re the one I’m talking to. You are being talked to by me.
You is the second person. (You are the second person?) The second-person point of view is rare in fiction, unlike the first and third persons (people?), which are all over the place.
I’ve copyedited two novels in second person, both by the same author: Zoran Drvenkar. The first, Sorry, was the first second-person novel I’d ever read and it blew me away. It’s a thriller and as the story coalesced and came clearer I felt pinned to the wall (if you’ve read the book you’ll understand why I shouldn’t have said that) and blinded by headlights at the same time.
Would it have been so riveting in third person or first? I don’t think so.
Drvenkar’s second novel was titled, oddly enough, You. It was good, fascinating, but not as riveting as Sorry, possibly because this time I was wary and less willing to be riveted.
You know, I’d never seriously considered writing in second person before I started this blog post, but now I’m thinking some second-person freewriting exercises might be useful for the novel in progress.
This is Wolfie‘s very first paragraph in second person:
You dash toward the leftmost swing while your friend Hayden dawdles along behind, scoping out the playground action as she walks. Several other swings are free, but the one on the end is yours. By the time Hayden catches up, you have freed your thick nearly black hair from its red scrunchie and are shaking it loose.
Hah. I could get into this.
2 thoughts on “Y Is for You”
No! Save it for instruction manuals. If writing fiction, you will drive your readers crazy.
LikeLiked by 1 person
That’s what I thought too, before I copyedited Sorry. I don’t think many authors could pull it off, and it’s probably significant that both of Drvenkar’s novels are thrillers. I want to try it as an exercise, to see if it tells me something about a scene or a character that I’m not getting in third person.